| Urodzony | 1781 (Murshidabad) |
| Zmarł | 1845 (Livorno) |
| Narodowość | Wielka Brytania |
| Epoki | Orientalizm |
| Zawód | malarz, ilustrator naukowy |
| Rodzina | Ojciec: John Hadley D'Oyly Matka: Diana Rochfort Małżonek: Marian Greer |
| Znane dzieła | Totnes from the Seymour Hotel (1838), Album of 30 Views in the Tyrol and Italy: Castles of Wafenstein [?], Sprechenstein and Reifenstein some miles from the Brenner, 27th Oct.r 1840, Album of 30 Views in the Tyrol and Italy: View on the Eisak near Mittenwald, 27th Oct.r 1840, Album of 30 Views in the Tyrol and Italy: Between Brixen and Klausen - Tyrol, 27th Oct.r 1840, Album of 30 Views in the Tyrol and Italy: The Ruins of the Nunnery of Seben near Klausen, 27th Oct.r 1840 |
| Muzea | Art Institute of Chicago |
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| Urodzony | 1781 (Murshidabad) |
| Zmarł | 1845 (Livorno) |
| Narodowość | Wielka Brytania |
| Epoki | Orientalizm |
| Zawód | malarz, ilustrator naukowy |
| Rodzina | Ojciec: John Hadley D'Oyly Matka: Diana Rochfort Małżonek: Marian Greer |
| Znane dzieła | Totnes from the Seymour Hotel (1838), Album of 30 Views in the Tyrol and Italy: Castles of Wafenstein [?], Sprechenstein and Reifenstein some miles from the Brenner, 27th Oct.r 1840, Album of 30 Views in the Tyrol and Italy: View on the Eisak near Mittenwald, 27th Oct.r 1840, Album of 30 Views in the Tyrol and Italy: Between Brixen and Klausen - Tyrol, 27th Oct.r 1840, Album of 30 Views in the Tyrol and Italy: The Ruins of the Nunnery of Seben near Klausen, 27th Oct.r 1840 |
| Muzea | Art Institute of Chicago |